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Леонид Ламм

Journey (France)

Инсталляция "Welcome to global paradise"

Russian avant-garde

Адам и Ева

Assembly hall, Butyrka prison, Moscow, Russia

Fountain (Overall View)

Eye

Exterior Paradise. Инсталляция "Welcome to global paradise"

ДА, ДА, ДА...АД, АД, АД..,

Construction flatnesses by cylindras

Conteraction Volumes & Flatness

Space constraction

Three Squares

Token

Dollar

Dollar

Dollar

Fragment of installation \'Birth of an Image\'

Birth of Image

Башня Адама (Олам Адам Кадмон)


  Леонид Ламм  

1928 – Родился в Москве.

1944-47 – учился в Московском Строительном Институте им. Моссовета, факультет архитектуры; ученик Якова Чернихова.

1949-54 Московский Полиграфический Институт; ученик А.Гончарова, И.Чекмазова, П.Захарова, А.Сидорова

1964-82 Член Союза художников СССР.

1973 – Арестован через три недели после подачи заявления на эммиграцию из СССР. Провел 3 года в советских тюрьмах и трудовых лагерях.

1976 – Освобожден.

1982 – Эмигрировал в Нью-Йорк.

Персональные выставки:

2002 Инсинуации. Галерея Гельмана, Москва.

2001 Silver-mine Art Center, New Canaan, CT, Leonid Lamm: Retrospective

2000 The Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ permanent installation Birth of an Image, Howard Schickler Fine Art, New York, веб-инсталляция

1999 Howard Schickler Fine Art, New York, веб-инсталляция

1998 Duke University Museum of Art, Durham, NC. Birth of an Image, installation /catalogue/ Academy of Art, Kassel, Germany, insinuations, Howard Schickler Fine Art, New York, web site installation Duke University Museum of Art, Durham, NC. Leonid Lamm: 50 Years of Graphic Art. 1940's -1990's

1997 – Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, The Hall in a Hall, Installation

1996 Howard Schickler Fine Art, New York, Photography

1994 Howard Schickler Fine Art, New York, Homage to Chernikhov, installation, Insinuation, photographic Installation. /brochure/

1993 Gallery Stefania Miscetti, Roma, Italy, installation

1992 Irving Contemporary Art, Sydney, Australia. Works on Paper.

1991 Nathan Berman – EN Gallery, New York, Sots-Geo, 1+1=

1990 Eduard Nakhamkin Fine Arts Gallery, New York, NY. Welcome to Equality, installation /catalogue/

1989 The Fondo Del Sol Visual Arts and Media Center, Washington, D.C. Recolection from the Twilight Zone, Installation

1987 Richard / Bennett Gallery, Los Angeles, CA. New works.

1986 Richard / Bennett Gallery, Los Angeles, CA. Seventh Heaven, pantings /catalogue/, Hanes Gallery, University of North Carolina, Chapel Hill, NC Carrboro Y. M. C. A., Chapel Hill, N. C.

1985 Firebird Gallery, Alexandria, Virginia, Recolection from the Twillight Zone, installation /catalogue/

1978 ЦДРИ, Москва, Россия /каталог/,

Музей Достоевского, Санкт-Петербург, Россия

1967 Хэппенинг: Акт с памятником Маяклвскому (совместно с Игорем Гельбахом), пл. Маяковского, Москва, Россия

Групповые выставки

2001 COLLAGE & ASSAMBLAGE, Zimmerii Art Museum, New Brunswick, NJ (catalogue)

2000 POST-WAR RUSSIAN AVAVT-GARDE, Boston Callege Museum, MS. AMERICA AND RUSSIAN ART, Marorie Barric Museum, Las Vegas, Nevada
DR. BERND BIERFREUND'S COLLECTION, Art Museum of Bietigheim, Germany /catalogue/
REALITIES AND UTOPIAS, Zimmerii Art Museum, New Brunswick, NJ (catalogue)
SEEING ISN'T BELIEVING. The Lament Art Gallery at Phillips Exeter Academy, MS /catalogue/
1999 ABOUT FACE: PORTRAILS ON PAPER.Duke University Museum of Art, Durham, NC. SOVIET & POST-SOVIET SOTS ART & AMERICAN POP ART, Frederick R. Weisman Art Museum, University of Minnesota, MN /catalogue/
POST WAR AVANT-GARDE, The State Russian Museum, St. Petersburg, Russia /catalogue/, traveling:
Государственная Третьяковская галерея, Москва, Россия
Maiami University Art Museum, Maiami, FI.

1998 SELECTION OF THE JANE VOOTHEES ZIMMERLI ART MUSEUM, St. Petersburg Fine Art Museum, St. Petersburg, FI., USA

1997-98 NON-CONFORMIST ART FROM SOVIET UNION, 1956-1986. /catalogue/ Culturgest, Lisbon, Portugal. Traveling:
Mcsarnok Museum, Budapest, Hungary
The Art Museum of Estonia, Tallinn, Estonia
Stedelijk Museum, Amsterdam, Holland
Museum van Hedendaagse Kunst (MUHKA), Antwerp, Belgium
CONSTRUCTIVIST ROOTS: PRESENT CONCERNS, /catalogue/ The Art Gallery
University of Maryland at College Park, traveling:
The Art Gallery University of New Hampshire, Connecticut
Dickson College, Pennsylvania, NJ

1997 SELECTION OF THE MUSEUM COLLECTION. Duke University Museum of Art, Durham, NC
SELECTION OF THE MUSEUM COLLECTION. The Jane Voorhees Zimmerii Art Museum, New Brunswick, NJ

1996 RUSSIAN CONCEPTUAL ART OF THE 1980's. Duke University Museum of Art, Durham, NC.
Elvehjem Museum of Art at the University of Wisconsin-Madison,
1995 RUSSIAN NON-CONFORMIST ART: 1957-1995, Wilhel – Hack Museum, Lugwigshafen on Rhein /catalogue/
Documenta Halle, Kassel Staatiches Lindenau Museum
RE-INVENTING THE EMBLEM: CONTEMPORARY ARTISTS RECREATED A RENAISSANCE IDEA, Yale University Art Gallery, New Haven, CT /catalogue/
THE PHOTOGRAPHY SHOW 95, Howard Schickler Fine Art, New York, Hilton
WORK ON PAPER, Howard Schickler Fine Art, Park Ave., Armory, New York
Stedman Art Gallery, Camden, New Jersey
THE INTERNATIONAL ART FAIR, Howard Schickler Fine Art, Bologna, Italy
TEMPORARILY POSSESSED The Semi-Permanent Collection, The New Museum of Contemporary Art, New York. /catalogue/
RUSSIAN JEWISH ARTISTS IN A CENTURY OF CHANGE: 1890-1988, The Jewish Museum, New York /catalogue/
FROM GULAG TO GLASNOST: NONCONFORMIST ART FROM SOVIET UNION, 1956- 1986 THE DR. NORTON AND NANCY DODGE COLLECTION, The Jane Voorhees Zimmerii Art Museum, New Brunswick, NJ /catalogue/

1994 FROM DRAMA TO CARNIVAL Evergreen Fine Art Museum, The Johns Hopkins University Baltimore, Baltimore /catalogue/
ART NEW YORK INTERNATIONAL, Stuart Levy Gallery, New York
FOUR RUSSIAN MESSAGES, Hall Broom Gallery, New York
MEANING AS SECOND LANGUAGE, Chase Freedman gallery, West Hartford, Connecticut

1993 OLD SYMBOLS, NEW ICONS Stuart Levy Fine Art, New York;
UNIVERSALIZM AND PARTICULARIZM: WORLD IN TRANSIT Crossdale Gallery, White Plane, NY /catalogue/
FROM CHAOS TO CREATION: RUSSIAN ART 1972-1992 the Rye Arts Center, Rye, New York.
THE GEORGE RIABOV COLLECTION OF RUSSIAN ART, The Jane Voorhees Zimmerii Art Museum, New Brunswick, NJ /catalogue/

1993-98 MONUMENTAL PROPAGANDA, Courtyard Gallery World Financial Center, New York; /catalogue/ traveling:
Институт современного искусства, Москва
Smithsonian International Gallery, Ripley Center, Washington, DC
Dunlop Art Gallery, Regina Public Library, Regina Saskatchewan, Canada
Bass Museum of Art, Miami Beach, FL
Muckenthaler Art Center, Fullerton, CA
Kemper Museum of Contemporary Art and Design, Kansas City, Missouri
Art Hall, Tallinn, Estonia
Center of Contemporary Art, Lubiljana, Slovenia
Helsinki Art Museum, Finland
Uppsala Kunstmuseum, Uppsala, Sweden
Contemporary Art Center, Copenhagen, Denmark
WORD AND IMAGE The Jane Voorhees Zimmerii Art Museum, New Brunswick, NJ /catalogue/.

1992 GLASNOST UNDER GLASS Ohio State University's Bricker Hall Gallery Columbus, Ohio, /catalogue/
THREE GENERATIONS OF SOTS-ART, Музей Ленина, Москва
NEW DIRECTIONS The Jane Voorhees Zimmerii Art Museum, Brunswick, NJ /catalogue/

1991 THE COLORS OF MONEY, Musee de la Poste, Paris /catalogue/
NEW ACQUISITIONS, Stedelijk Museum, Amsterdam /catalogue/
BACK TO SQUARE ONE, Nathan Berman – E.N. Gallery, New York /catalogue/
TIMELY OBJECTS WITH IRONIC TENDENCIES, Rosa Esman Gallery, New York
Third International Master Print Fair, Sydney /catalogue/
AFTER PERESTROYKA, Irving Contemporary Art, Sydney /catalogue/
The 6th International Contemporary Art Fair, Los Angeles, Conventional Center.

1990 WORKS ON THE PAPER, Eduard Nakhamkin Fine Arts, New York
Другое искусство, ГТГ, Москва /catalogue/

1989 Edward Nakhamkin Fine Arts Gallery, New York.
SOVIET-AMERICAN ARTISTS, Hall Bromm Gallery, New York.
TRANSIT: RUSSIAN ARTISTS BETWEEN THE EAST AND WEST /catalogue/ Fine Arts Museum of Long Island, Hempstead, New York, Eduard Nakhamkin Fine Arts, New York
(traveling):
Государственный Русский Музей, Санкт-Петербург, СССР
Центральный выставочный зал союза художников, Крымский вал, Москва, СССР
1988 THE INTERNATIONAL CONTEMPORARY ART FAIR, Convention Center, Los Angeles, CA.
SOVIET EMERGE ARTISTS, Downey Museum of Art, Downey, CA Marryane McCarthy Fine Arts, New York

1987 RUSSIAN AND SOVIET POLITICAL ART: 1900-1986, Buruch College Gallery, New York. THE INTERNATIONAL CONTEMPORARY ART FAIR, Convention Center, Los Angeles, CA /catalogue/. SALON OF INDEPENDENTS, Richard /Bennett Gallery, Los Angel. CA.

1986 SOTS-ART, The New Museum of Contemporary Art, New York, /catalogue/
traveling show to:
Glenbow Museum, Calgary, Canada;
Emerson Museum in Syracuse, N. Y.;
Contemporary Art Center in Cincinnati, OH
The Gallery /Stratford, Ontario, Canada.

1984 SOTS-ART: RUSSIAN MOSK – HEROIC STYLE, The New Gallery, The Public Library of Columbus and Franklin County, Colum. OH.

1983 MOSCOW – NEWARK: COME YESTERDAY AND YOU'LL BE FIRST, City without Walls Gallery, Newark, NJ. /catalogue/.

1980 FREE ART FROM SOVIET UNION, The Herzliya Museum, Israel
NONCONFORMISTS, Goldman Fine Arts Gallery, Washington, DC.
1979 20 YEARS OF UNOFFICIAL SOVIET ART /catalogue/, City Museum, Bochum, FRG.

1974 Измайловский парк, 2-й осенний просмотр работ "на открытом воздухе", Москва
1964-81 /annually/ – Осенняя выставка, Союз художников, Москва, СССР

1959 EXHIBITION, INTERNATIONAL BOOK FAIR, Leipzig, Germany, Silver Medal Award.
5-я Выставка молодых художников Москвы. Выставочный зал союза художников, Москва
Выставка Горкома Художников, ЦДРИ, Москва
1958 4-я Выставка молодых художников Москвы, ЦДХ, Москва

1957 3-я Выставка молодых художников Москвы. Выставочный зал союза художников, Москва

1956-81 /annually/ – ANNUAL EXHIBITION OF BOOK Illustration. Выставочный зал союза художников, Москва, Россия.

1955 Живопись & Скульптура, Музей искусств, Саратов, СССР.

Статьи в журналах и газетах:

Wie sich die Gedemutinget einst wehrten Josef Croitoru, Frankfurter Allegemeine Zeitung, 19.12.2000
After a Year's Renovations, Zimmerly Opens Its Worlds Ramona Jenkin, The New York Times, November 19, 2000;
Fountain (self-laundering dollar) Jason Edward Kaufman, THE ART NEWSPAPER, London, International Edition, October 1999, front page.
Leonid Lamm, Marek Bartelik, ARTFORUM, October, 1998, p.129
Leonid Lamm, Matthew Baigell, Art News, Summer, 1998, p. 162
Leonid Lamm: 50 Years of Graphic Art, Kate Dobbs Ariail, Independent, Durham, NC weekly. March 18-24, 1998, p.27
Lamm's art show travesty of Soviet system. Blue Greenberg, The Herald-Sun, Durham, NC, March 20, 1998,p.4
Leonid Lamm, Serge Hollerbakh, Panorama # 882, Los Angeles weekly, March 4-10, 1998
World's Largest Collection of Soviet Dissitent Art, Flash Art, January – February, 1996, p.35
Russian & Soviet Art, Assimilation and Alienation, Eleanor Heartney, Art in America, February, 1996, pp.51-54
Discreetly or Scrappily, The Defied the Soviet Line, Michael Kimmelman, The New York Times, November 3,1955, pp. C24
Under the Czar and Red Star, Mair Ronnen, The Jerusalem Post Magazine, November 3, 1995, Art, p.p.18-21
Sie malten wie die Wilden, Katja Senjor, SZ AM WQCHENENDE, 11/12 November, 1995, # 260, Seite VII
Russian Art at Rutgers, Eileen Watkins, The Star-Leger, October 29, 1995, p.p.1-4. Through Czarist and Soviet Years, A Century of Talent, Roberta Smith, The New York Times, September 22, 1995, p.p. C1, C30.
Auch die Spitzel des KGB konneten ed Sammler nicht stolen, Susanne Unemann, ART September, 1995,p. 124
Leonid Lamm, Silvia Horchfield, Art News, February 1995, p. 128
Leonid Lamm, Evgeny Hollerbakh, QK [Art Magazine]Moscow, # 8, p. 111 -112, 1995
Leonid Lamm, Igor Gelbak, Panorama # 715, December 21 – 27, 1994
Old Symbols/New Icons, Silvia Horchfild Art News, April 1994, p.
171 Iconoclasts Alive and Well in the Postmodern, Post-Soviet Era, Vivien Raynor The New York Times, p. 20, Art, Sunday, February 13, 1994.
Russian artists are coming to town – and into their own, John Dorsey Baltimore Sun, p.p.1 H, 7H, January 16,1994.
Grace Gluck the New York Observer, November 22, 1993 Zany Exhibition Rises From Communism's Rubble, Hank Burchard, Washington Post, December 30, 1994,p.41.
Jewish Mysticism and Soviet Gulags left their marks on Leonid Lamm Matthew Baigell, Lifestyles, fall 1993, no. 126, pp. 40-41
Gedankenspiele mit Lenin S.L. Art 0ctober 1993
Mocking Socialist Realism to Save It, Steven Erianger, The New York Times, p. C13-14, August 3, 1993
What becomes a Lenin Most. David Remnick, The Washington Post p. G1, G6, July 25, 1993
Portfolio Slight Modification. Lowrence Weschler, New Yorker, p.62, July 12, 1993
Leonid Lamm, Un Ironico Teseo Russo. Daniele Pieroni, The Next, p.88-104 Summer, 1992, Rome, Italy
Gorbachev show a thorough effort. Lesley Constable. The Columbus Dispatch, Sunday, June 28, 1992
Геометрия Анти-пространства – о живописи Леонида Ламма. Михаил Соколов. Человек и Природа # 4, 1992 Москва
Анти-утопия Леонида Ламма. Михаил Соколов. Деловой мир #36 (350), 22 февраля, 1992, Москва
The Russian Devolution. After the Fall, How Will Artists Fare in the Soviet Union?, William Wilson, Los Angeles Times, September 21, 1991
/cons of the Cold War. Unreal. Lynette Fern, The Sydney Morning Herald, Aug. 9, 1991
On your Marx get set; paint, Armuta Slee, The Australian, August 2, 1991 Perestroyka prints make capital out of communism, Peter
Cochrane, The Sydney Morning Herald, July 25, 1991
Check the Fine Prints, Collectibles, Bob Evans, SMH Good Living, The Sydney Morning Herald, July 2, 1991
A Catafalque of the Senses, John E. Bowit, TvorchestvojSL4, 1991, Moscow
Troubleshooters on the Return of the Same, Mira Schor, Artforum, Summer, 1990, p.18.
Kunst und Propaganda – das vorerst letzte Kapital, Susanne Lingemann, Art, # 8, August 1990,
Borovskii, Alexander. Na Rodinu v gocti (To Motherland for a Visit), Ogonek, # 17, April 1990.
V.Tranzitnoe...svidanie (A Transit... Rendezvous), Pravda, January 18, 1990
Braff, Phyllis. _migr_ Works Reflected Tension of the Journey, The New York Times, November 1, 1989.
Kamenskii, A. Tranzitom Li? (Is it Really Transit?), Sovetskaya Kul'tura, February 17,1990
Russian Art and Protest, Michael Welzenbach, The Washington Post, /Saturday/ July 1, 1989.
Alice Thorson, The Washington Times, page E2, July, 6, 1989
A personal statement from Russia, Geoffrey James, McCleans December, 1987
Nancy Tousley, Canadian Art, Spring, 1987
Russian Expressions of the Satirical Kind, Jane Addams Alien, The Washington Times, April 10, 1987
Lawrence Gipe, Los Angeles Weekly, October, 24-30, Pick of the week, page 121.
Colin Gardner, Los Angeles Times, November, 7, 1986, Friday, Part VI, page 17
Sots Art, David Lurie, Arts Magazine, June, 1986
Leonid Lamm, Margarita Tupitsyna, "A-Ya" No. 7, 1986
From the Twilight Zone to the Procrustean Bed, Serge Gollerbakh, Continent, No. 61

The Precise Language of Graphics, Vasily Rakitin, Moskovsky Khudozhnik, April 3, 1978

10,000 Flock to Moscow Park to See Show of Modern Art, Hendrick Smith, The New York Times, Sep.30,1974

Каталоги и книги:

2000 seeing ISN'T BELIEVING. The Lament Art Gallery at Phillips Exeter Academy, MS /catalogue/ essay by GAIL HARRISON ROMAN
REALITIES AND UTOPIA /catalogue/ essay by Jane Sharp
DAS ROTE HAUS: ZEITGENOSSISCHE RUSSISCHE KUNST AUS DER SUMMULING BIERFREUDN, Stadtische Gallery Bietigheim-Bissingen.

1999 FORBIDDEN ART: POST WAR AVANT-GARDE, Curatorial Assistance, Inc, Los Angeles, California
SOVIET & POST-SOVIET SOTS ART & AMERICAN POP ART, Frederick R. Weisman Art Museum, University of Minnesota, MN

1998 LEONID LAMM: BIRTH OF AN IMAGE, foreword by Michael Mezzatesta, essay by Eleonor Heartney, interview with Leonid Lamm conducted by Innesa Levkova- Lamm, Duke University Museum of Art.
AUF DER SUCRE NACH EINER NEUEN IDENTITAT: Russland an der Schwelle zum 21Jahrhundert, Gabriele Gorzka, Peter W. Schuize (Hrsg.) Die zeitgenossische Kunst als Ausdruck postsowjetischer Identitat, Edition Temmen, Bremen, Germany

1997 CONSTRUCTIVIST ROOTS: PRESENT CONCERNS, essays by Diane Beal, Regina Khidekel, The Art Gallery University of Maryland

1995 REINVENTING THE EMBLEM: CONTEMPORARY ARTISTS RECREATE A RENAISSANCE IDEA, essay by Richard S. Field. Yale University Art Gallery TEMPORARILY POSSESSED, The Permanent Collection, The New Museum of Contemporary Art, NYC

RUSSIAN JEWISH ARTISTS IN CENTURY OF CHANGE 1890-1990, The Jewish Museum, New York, Prested, Munich

NONCONFORMIST ART FROM THE SOVIET UNION, 1956-1986, The Norton and Nancy Dodge Collection. Thames and Hudson in association with The Zimmerii Art Museum.

Renee Baigell & Matthew Baigell SOVIET DISSITENT ARTISTS, Interviews after Perestroyka, Ratgers University Press, New Brunswick, NJ

1994 LEONID LAMM'S HOMAGE TO YAKOV CHERNIKHOV, Howard Schickler Fine Art, NYC, Essay by Donald Kuspit John McPhee THE RANSOM OF RUSSIAN ART, Farrar Straus Giroux, New York.
RITMICA, Semestrale di analisi dei linguaggi estetici, Universita degli Studi di Roma "La (Sapiensa', Rubbettino, "L'Esprit de Geometrie di Leonid Lamm", p.p. 88- 104.
FOUR RUSSIAN MESSAGES: CARNIVAL OR DRAMA Evergreen House Museum
The John Hopckins University, Baltimore, MD. Essays by Matthew Baigell, Innesa Levkova-Lamm
MONUMENTAL PROPAGANDA, Independed Curators Incorporated, NYC

1993 THE GEORGE RIABOV COLLECTION OF RUSSIAN ART, The Zimmerii Art Museum Rutgers, The State University of New Jersey New Brunswick, NJ

1991 THE COLORS OF MONEY, Muse de la Post, Paris
NEW ACQUISITIONS, Stedelijk Museum, Amsterdam
BACK TO SQUARE ONE, Essay by Innesa Levkova-Lamm, Nathan Berman – E.N. Gallery NYC
DRUGOE ISKUSSTVO /AN OTHER ART/, MOSCOW 1956-1976, Art Gallery "Moscow Collection", Interbook, Moscow.
AFTER PERESTROYKA, Essay by Innesa Levkova-Lamm, Irving Contemporary Art Gallery, Sydney.

1990 LEONID LAMM "WELCOME TO EQUALITY. PROCRUSTEAN BED", installation, Essay by John Bowit, SOTS-GEO, Manifesto- Manifestation of the Procrustean Bed (Fundamental Ideas of the Sots-Geo Movement in Art) by Leonid Lamm, Eduard Nakhamkin Fine Arts, New York.
Atkins, Robert. ART SPEAK, A guide to Contemporary Ideas, Movements and Buzzwords, Abbeville Press Publishers, New York, p.p. 150-151.

1989 TRANSIT: RUSSIAN ARTISTS BETWEEN THE EAST AND WEST, Essays by John Bowit, Eleanor Flumenhaft, Innesa Levkova-Lamm; Eduard Nakhamkin Fine Arts MARGINS OF SOVIET ART Tupitsyn Margarita. Giancarlo Politi Editore, p.p.85, 87.

1988 L'ART au PAYS des SOVIETS, Chahiers Du Musee National d'Art Centre Georges Pompidou, Winter 1988.

1986 THE INTERNATIONAL CONTEMPORARY ART FAIR, Convention Center, Los Angeles, CA.
SOTS-ART, Essay by Margarita Tupitsyn, The New Museum of Contemporary Art New York.
LEONID LAMM "SEVENTH HEAVEN", Essay by Innesa Levkova-Lamm, Cremona Foundation, Inc., Mechanicsvill, MD and Richard/Bennett Gallery, Los Angeles, CA.

1985 LEONID LAMM "RECOLLECTION FROM THE TWILIGHT ZONE, Essay by Margarita Tupitsyn.
The National Center on Institutions and Alternatives, Alexandria, Virginia and Cremona Foundation, Inc., Mechanicsvill, MD

1983 MOSCOW – NEWARK: COME YESTERDAY AND YOU'LL BE FIRST, Essay by Margarita Tupitsyn, City Without Walls Gallery, Newark, NJ.

ACHIEVEMENT, AWARDS
SILVER MEDAL AWARD, Leipzig, Germany, International Book Fair, 1959
2000 OUTSTANDING PEOPLE OF THE 20TH CENTURY MEDAL & DIPLOMA, International Biographical Center Cambridge, CB2 3QP, England 1998

Коллекции (выборочно)

SOLOMON R. GUGGENHEIM MUSEUM, NEW YORK

THE METROPOLITAN MUSEUM OF ART, NEW YORK

THE NEW MUSEUM OF CONTEMPORARY ART, NEW YORK

STEDELIJK MUSEUM, AMSTERDAM, HOLLAND

ГОСУДАРСТВЕННЫЙ РУССКИЙ МУЗЕЙ, САНКТ-ПЕТЕРБУРГ, РОССИЯ

ГОСУДАРСТВЕННАЯ ТРЕТЬЯКОВСКАЯ ГАЛЕРЕЯ, МОСКВА, РОССИЯ

THE JEWISH MUSEUM, NEW YORK

YALE UNIVERSITY ART GALLERY, New Haven, CT

THE New York PUBLIC LIBRARY, Fifth Ave., & 42nd St.

GANE VOORHEES ZIMMERLI ART MUSEUM, RUTGERS THE STATE UNIVERSITY OF NEW JERSEY New Brunswick, NJ

DUKE UNIVERSITY MUSEUM OF ART, DURHAM, NC

LIBRARY OF COLUMBUS AND FRANKLIN COUNTY, COLUMBUS, OHIO

МУЗЕЙ СОВРЕМЕННОГО ИСКУССТВА "ЦАРИЦЫНО", МОСКВА, РОССИЯ

ЛИТЕРАТУРНЫЙ МУЗЕЙ, МОСКВА, РОССИЯ

МУЗЕЙ ДОСТОЕВСКОГО, САНКТ-ПЕТЕРБУРГ, РОССИЯ.

FINE ART MUSEUM, TARTU, ESTONIA

МУЗЕЙ ЛИТЕРАТУРЫ И ИСКУССТВА, ТВЕРЬ, РОССИЯ

МУЗЕЙ ЛИТЕРАТУРЫ И ИСКУССТВА, САРАТОВ, РОССИЯ

МУЗЕЙ ИСКУССТВ, ИСТОРИИ И ЛИТЕРАТУРЫ, ОМСК, РОССИЯ

MUSEUM OF PEOPLES' FRIENDSHIP, TB1LISY, GEORGIA

ЛИТЕРАТУРНЫЙ МУЗЕЙ, НОВОКУЗНЕЦК, РОССИЯ

ЛИТЕРАТУРНЫЙ МУЗЕЙ, БАКУ, АЗЕРБАДЖАН

FONDO DEL SOL VISUAL ARTS AND MEDIA CENTER, WASHINGTON, DC.

INSTITUTE OF MODERN RUSSIAN CULTURE, AT BLUE LAGOON, LOS ANGELES, CA.










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